Men in Black II (2002) Beobachten Film
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- Originaltitel : Men in Black II
- Filmtitel in Ihrem Land : Men in Black II
- Jahr der Film : 2002
- Genres des Films : Action, Abenteuer, Komödie, Science Fiction,
- Status-Film : Released
- Ver�ffentlichungsdatum : 2002-07-03
- Die Unternehmen der Film : Columbia Pictures, Amblin Entertainment, Columbia Pictures Corporation, Parkes+MacDonald Image Nation,
- L�nder Film : United States of America,
- Sprache des Films : English,
- Durasi Of film : 88 Min
- Stimme durchschnittlich : 6
- Youtube ID des Films : p4NJHqoojOU
- �bersetzung von Film : BG,CA,CS,DA,DE,EL,EN,ES,FI,FR,FR,HE,HR,HU,IT,JA,KO,LT,NL,NO,PL,PT,PT,RO,RU,SK,SL,SR,SV,TH,TR,UK,ZH,ZH,
- Schauspieler des Films :Doug Jones (Joey), Lenny Venito (New York guy), David Cross (Newton), Colombe Jacobsen-Derstine (Hailey), Michael Jackson (Agent M), Michael Rivkin (the man with Harvey, Peter Spellos (Captain Larry Bridgewater, Rip Torn (Zed), Agent Kay), Will Smith (Agent Jay), Rosario Dawson (Laura Vasquez), Patrick Warburton (Agent Tee), Michael Bailey Smith (Creepy), Jay Johnston (the younger Pizza Parlor MIB agent), The Motorman), the dog), Jack Kehler (Ben), Alpheus Merchant (MIB guard), Howard Spiegel (New York guy), Lara Flynn Boyle (Serleena), Tony Shalhoub (Jack Jeebs), Tommy Lee Jones (Kevin Brown, Joel McKinnon Miller (agent), Johnny Knoxville (Scrad/Charlie), Derek Mears (Mosh Tendrils), Rick Baker (MIB Passport Control Agent)
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Men in Black II ist die beste film zur Verfügung gestellt von Columbia Pictures, Amblin Entertainment, Columbia Pictures Corporation, Parkes+MacDonald Image Nation, , die eine haben Beschreibung des Films "Agent J muss die Erde wieder vor einigem Abschaum bewahren, denn in Gestalt des verführerischen Dessous-Models Serleena will ein Alien den Planeten unterjochen. Dabei benötigt J die Hilfe seines alten Partners Agent K. Der wurde aber bei seiner “Entlassung” geblitzdingst, und so muß J seine Erinnerung erst mal etwas auffrischen bevor es auf die Jagd gehen kann.". Der Film wurde mit hervorragenden grafischen Qualit�t hergestellt, beste Klangqualität und feinsten mit Schauspielern.
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Video Assist Operator : Peter A. Mian, Co-Producer : Graham Place, Visual Effects Art Director : David Nakabayashi, Original Music Composer : Danny Elfman, Dolby Consultant : Andy Potvin, Post Production Supervisor : Paul A. Levin, Sequence Leads : Chris Armstrong, Dolly Grip : Michael S. Epley, Production Accountant : Salvatore Carino, Makeup Artist : Chad Waters, Standby Painter : Henry Schaub, Musician : Tom Boyd, Painter : Francesco Ferrara, Key Costumer : John M. 'Jack' Wright, Projection : George A. Parker, Digital Effects Supervisor : Christopher Sjoholm, Supervising ADR Editor : Juno J. Ellis, Art Direction : Sean Haworth, Lighting Artist : Robert Bardy, Director of Photography : Greg Gardiner, Title Designer : Pablo Ferro, Set Medic : Rich Fellegara, Storyboard : Philip Keller, Dialogue Editor : Norm MacLeod, Associate Producer : Stephanie Kemp, Apprentice Sound Editor : Rick Chefalas, Scenic Artist : Patricia Walker, Visual Effects Coordinator : Kiné Arnold, Assistant Art Director : François Audouy, Executive Producer : Steven Spielberg, Costume Design : Mary E. Vogt, Production Sound Mixer : Peter F. Kurland, Animation Supervisor : Tom Bertino, Sound Effects Editor : Craig Berkey, Supervising Sound Editor : Skip Lievsay, Grip : Eric Budlong, Machinist : Sebastien Caillabet, Director : Barry Sonnenfeld, Producer : Laurie MacDonald, Pilot : Al Cerullo, Digital Producer : Tamara Nobles, Associate Producer : Marc Haimes, Production Supervisor : Bill Sturgeon, Researcher : Thomas Dilligan, Utility Stunts : Jade Quon, Sculptor : Fred Arbegast, Set Production Assistant : Michael D. Gillis, Rigging Grip : Todd Grunberger, Unit Production Manager : Graham Place, Location Manager : Robbie Goldstein, Conceptual Design : Christian Alzmann, Editor : Steven Weisberg, Special Effects Coordinator : Thomas L. Fisher, Construction Coordinator : Greg John Callas, CGI Supervisor : Daniel Eaton, Novel : Lowell Cunningham, Software Engineer : Dan Lake, Rigging Gaffer : Frank Dorowsky, Foley : Marko A. Costanzo, Assistant Production Coordinator : Jules Carideo, Electrician : Bryan Booth, Second Unit Cinematographer : Artie Malesci, Set Costumer : Sonya M. Andonov, Administration : Scott Brines, Gaffer : Andy Day, Lighting Technician : Gene Engels, Casting Assistant : Connie Czernek, Key Grip : Michael C. Price, Casting : Ronna Kress, Sequence Supervisor : Will Anielewicz, Key Makeup Artist : Deborah La Mia Denaver, Leadman : Ernest M. Sanchez, Hair Department Head : Janice Alexander, Sound Re-Recording Mixer : Kevin O'Connell, Unit Publicist : Rob Harris, Art Direction : Thomas P. Wilkins, Set Decoration : Cheryl Carasik, Production Office Coordinator : Shell Hecht, Second Assistant Director : Deanna Stadler, Producer : Walter F. Parkes, Lead Animator : Miguel A. Fuertes, First Assistant Director : Artist W. Robinson, Steadicam Operator : Gregory W. Smith, Stunt Coordinator : Charles Croughwell, Supervising Dialogue Editor : Bobby Mackston, Systems Administrators & Support : Joe Stevano, Art Department Assistant : Pamela Bertini, Conductor : Pete Anthony, Editor : Richard Pearson, Screenplay : Robert Gordon, ADR Editor : Denise Horta, Production Design : Bo Welch, Music Editor : Bill Abbott, Production Illustrator : James Carson, 3D Supervisor : Alia Agha, Post Production Assistant : Ann Gray, Script Supervisor : Mary Bailey, Associate Editor : JC Bond, Special Effects : Jim Beinke, Property Master : Peter Gelfman, Foley Editor : Mary Ellen Porto, Stunts : Callie Croughwell, Sound Editor : Bruce Pross, Assistant Sound Editor : Angela M. Catanzaro, Wardrobe Supervisor : Arlynn Abseck, First Assistant Camera : Mark Gutterud, Digital Compositors : Dan Cayer, Set Dresser : Ross La Terra, Boom Operator : Randall L. Johnson, Wigmaker : Diana Choi, Propmaker : Derek du Bellier, Greensman : Frank McEldowney, Still Photographer : Phillip V. Caruso, Additional Photography : Zac Jackson, Creature Design : Jeff Jingle, Prosthetic Makeup Artist : Deborah Rutherford, Color Timer : Anthony Harris, Chief Lighting Technician : Jeff Murrell, Art Direction : Alec Hammond, Visual Effects Producer : Alessandra Cave, Driver : Gabe Turiello, Visual Effects Supervisor : Jim Berney, Script Coordinator : Susan Eileen Stewart, Editorial Production Assistant : Marta Alicia Masferrer, Set Designer : John Chichester, Lighting Supervisor : Alberto Noti, Negative Cutter : Mo Henry, Camera Operator : Daniel C. Gold, Carpenter : Daniel Geary, Transportation Co-Captain : Patrick Bentz, Art Department Coordinator : Richard Bloom, Assistant Property Master : Scott Getzinger, Location Scout : David Chambers, Music Supervisor : Pilar McCurry, Sound Recordist : Jesse Ehredt, Production Coordinator : Matt DiFranco, Orchestrator : Steve Bartek, Costume Supervisor : Mitchell Ray Kenney, Best Boy Electric : Michael Alexonis, Screenplay : Barry Fanaro, Craft Service : John 'Magic' Wright, Security : Joseph Keideth, I/O Supervisor : Brandon Craig, Hairstylist : Pierce Austin, Matchmove Supervisor : Samuel Nunez, Loader : Steven Cueva, Visual Effects Editor : Miller Drake
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Schlagw�rter: saving the world, secret identity, sun glasses, undercover, space marine, illegal immigration, deportation, new identity, flying saucer, light, firearm, alien, fictional government agency,
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